Thanks to Life: A Biography of Violeta Parra
Chilean musician and artist Violeta Parra (1917–1967) is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Cancion (New Song). Her renowned song “Gracias a la vida” has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Ericka Verba traces Parra’s radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain.
Drawing on decades of research, Verba paints a vivid and nuanced picture of Parra’s life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life illuminates the depth and agency of Parra’s journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms.
Praise
“This comprehensive analysis of Parra’s life provides an unparalleled opportunity to appreciate one of Latin America’s greatest artists. Thanks to Life is an outstanding piece of biographical work on a world-class artist whose legacy continues to shape Latin American music and culture.”
—Heidi Tinsman, author of Buying into the Regime: Grapes and Consumption in Cold War Chile and the United States
“Finally, a definitive biography of one of the most consequential global artists of the twentieth century.”
—Karin Rosemblatt, author of The Science and Politics of Race in Mexico and the United States, 1910–1950
“This intimate portrait of Chile’s iconic musical artist takes the reader through a rollicking narrative that crisscrosses continents, lovers, and ideological borders of the Cultural Cold War.”
—Eric Zolov, author of The Last Good Neighbor: Mexico in the Global Sixties
“A profound and insightful look at the life of one of Latin America’s most influential and complex modern artists.”
—Patricia Vilches, author of Salvador Allende and the Villa San Luis: Icons of the Just City
“A deeply moving biography and provocative meditation on the production and uses of authenticity.”
—Matthew Karush, author of Musicians in Transit: Argentina and the Globalization of Popular Music
“The first comprehensive biography of Violeta Parra in English and the first to look at Parra’s life from a feminist, decolonial, and critical perspective. This book explores the complexities of Parra’s psyche, the identities she constructed for herself—and their collisions—while remaining attentive to the social and political contexts of the many places where Parra traveled.”
—Juan Pablo González, author of Thinking about Music from Latin America
“This extensive biography provides us with a detailed picture of Parra’s life and multiple artistic endeavors. Verba eloquently synthesizes a vast number of archival resources in a text that is rigorously researched, beautifully written, and a joy to read. The book is a real masterpiece.”
—Lorna Dillon, author of Violeta Parra’s Visual Art: Painted Songs
“Ericka Verba has written a masterful biography of one of Latin America’s most important artists, poets, and musical figures of the 20th century. Verba’s lifelong engagement with Violeta Parra’s songs and poetry enables her to deftly integrate the artist’s verses into the historian’s telling of her life’s story. All in all, this is a must read for any student of Violeta’s life and works.”
—David Spener, author of We Shall Not Be Moved/No nos moverán: Biography of a Song of Struggle
“Ericka Verba has written a richly detailed, insightful study of Violeta Parra, the multifaceted Chilean visual artist, folklorist, musician, and songwriter (1917-1967). She has unearthed little-known chapters of Parra’s life, producing an enlightening history of a complex woman who broke gender, racial, and class barriers.”
—J. Patrice McSherry, author of Chilean New Song: The Political Power of Music